Seattle

The move to Kirkland, Washington, and a home in the Seattle Eastside found Elizabeth working in the family room for a few years while the studio in the backyard was being built. With a glass kiln in the studio, glass and ceramics became an area of attention along with printmaking. With a small press in the new studio, other one-of-a-kind works were explored. Chin Colle and monotypes became a focus each time Elizabeth returned from Residencies at The Sculoa de Graphica in Venice, Italy, where she taught reduction screenprinting while exploring aquatint and developing various etching and one-off techniques. A residency at the Skopelos Foundation for the Arts offered an opportunity to engage Greek history and imagery. Teaching continued at the Kirkland Art Center and at the Schack Art Center in Everett, Washington, where Elizabeth set up a new printmaking facility. Elizabeth’s work continues to be available through the Portland Art Museum Rental Sales Gallery.